/ Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697 / Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697 / Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697 / Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697 / Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697 / Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697 / Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697 / Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697 / Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697 / Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697 / Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697 / Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697 / Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697 / Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697 / Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697/ Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697/ Rémie Vanderhaegen / remie.vdh@gmail.com / +32495660697


Nothing For Free (NFF) is a nomadic project that is not tied to predefined conditions. In doing so, it tries to create an alibi for the common methods and ways of thinking of each participating member. In this way, it wants to preserve an openness towards various stylistic tropes and it sets itself off against a world of judgement. NFF makes no distinction between personal or common values and norms. Rather, it tries to find a consensus between worldly matters in which it occupies a vivid position. By doing so, the project tries to juxtapose several visions in order to expose a wide discourse. Without resorting to superstition, NFF wants to refer to the commitment of each individual subject or object. It is only a question of elasticity or attention in which each separate element is elevated... Each subject can be viewed both individually and within its context, this is only a matter of zooming in and out on the specific subject. NFF focuses on the fact that ‘thinking' and its subsequent 'reality' do not have a fixed fixation but rather rely on a continuous dialogue. In this respect, the ambulatory value of the project is of great importance and tries to literally shape a subject over and over again. In this way, the project could be seen as a label in which the individual/collective in question is given a place in a visual or linguistic spectrum. The form in which these different visions are shown is important in accordance with his appearance.


NOTHING FOR FREE
𝘞𝘪𝘵𝘩 𝘮𝘢𝘯𝘯𝘦𝘳𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘨𝘩𝘰𝘴𝘵, 𝘸𝘦 𝘳𝘦𝘢𝘥 𝘵𝘩𝘪𝘴 𝘴𝘦𝘯𝘵𝘦𝘯𝘤𝘦 𝘢𝘴 𝘧𝘰𝘭𝘭𝘰𝘸𝘴:  𝘪𝘵 𝘪𝘴 𝘵𝘩𝘦 𝘤𝘢𝘳𝘨𝘰 𝘸𝘩𝘰 𝘥𝘳𝘪𝘷𝘦𝘴 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘤𝘰𝘳𝘯𝘦𝘳 𝘰𝘧 𝘵𝘩𝘦 𝘸𝘪𝘯𝘥𝘰𝘸 𝘧𝘳𝘢𝘮𝘦 𝘵𝘰 𝘦𝘯𝘥 𝘶𝘱 𝘫𝘶𝘴𝘵 𝘣𝘦𝘩𝘪𝘯𝘥 𝘵𝘩𝘦 𝘤𝘶𝘳𝘵𝘢𝘪𝘯𝘴 – 𝘵𝘩𝘪𝘴 𝘴𝘦𝘯𝘵𝘦𝘯𝘤𝘦 𝘥𝘰𝘦𝘴 𝘯𝘰𝘵 𝘴𝘵𝘳𝘦𝘵𝘤𝘩 𝘪𝘯 𝘱𝘳𝘰𝘱𝘰𝘳𝘵𝘪𝘰𝘯 𝘵𝘰𝘸𝘢𝘳𝘥𝘴 𝘩𝘪𝘴 𝘰𝘸𝘯 𝘭𝘦𝘯𝘨𝘵𝘩. 𝘐𝘯 𝘢 𝘵𝘳𝘪𝘤𝘦, 𝘵𝘩𝘦 𝘤𝘢𝘳 𝘴𝘵𝘪𝘭𝘭 𝘴𝘩𝘪𝘮𝘮𝘦𝘳𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘸𝘪𝘯𝘥𝘰𝘸𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘮𝘢𝘳𝘬𝘦𝘵𝘱𝘭𝘢𝘤𝘦,  𝘴𝘰 𝘵𝘰 𝘴𝘱𝘦𝘢𝘬 𝘢𝘣𝘰𝘶𝘵 𝘵𝘩𝘦 𝘤𝘢𝘳... – 𝘪𝘵 𝘸𝘰𝘯’𝘵 𝘨𝘦𝘵 𝘢𝘯𝘺 𝘧𝘶𝘳𝘵𝘩𝘦𝘳. 𝘝𝘦𝘩𝘪𝘤𝘭𝘦? 𝘋𝘰 𝘺𝘰𝘶 𝘢𝘭𝘳𝘦𝘢𝘥𝘺 𝘩𝘢𝘷𝘦 𝘢 𝘱𝘭𝘢𝘯?

with Nikolaas Demoen, Noureddine Ezarraf, Deveny Faruque, Pommelien Koolen,Juan Pablo Plazas, Rémie Vanderhaegen, Emile Van Helleputte & Aaron Daem